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Strato Thinline

One-piece ash, hollowed out into resonant chambers and closed with a quilted maple top. Lighter than a solid Strato and more open-sounding, without turning into a semi-hollow.

  • Tabacco
    Strato Thinline — Tabacco
  • Zafferano
    Strato Thinline — Zafferano
  • Marea
    Strato Thinline — Marea
  • Noce
    Strato Thinline — Noce
  • Miele
    Strato Thinline — Miele
  • Rosso corsa
    Strato Thinline — Rosso corsa
  • Ossidiana
    Strato Thinline — Ossidiana
  • Panna
    Strato Thinline — Panna

8 finishes available — and this is not a closed list

What sets it apart

  • Chambers carved out, not a soundbox

    The body stays a single piece of ash: the chambers are carved inside and the top closes them again. It is not a semi-hollow — there is no feedback to manage at volume — but far more wood is moving, and you hear it on held notes.

  • Baltic curly maple, neck and fretboard

    One piece, with no separate fretboard: the grain runs unbroken from the headstock to the last fret. It is the same choice as the Wormhole, and it does the same thing — a neck that barely moves and a drier response.

  • Push-pull on the volume

    A pot you pull to change the wiring: from double coil to single, without adding switches to the pickguard. Two different guitars under the same fingers, and nothing shows from the outside.

Photographs of Strato Thinline

Strato Thinline — De Gattis guitar

The chambered body

Twelve seconds, and you can hear it is chambered.

A chamber carved under the top changes the way the body gives the note back: less compression, longer tail. It is the difference a table cannot write down and a hand on the fretboard makes audible in two bars.

Specifications

What is settled, and what you settle.

It is the model

They do not change: they are what makes this a Strato Thinline.

Scale length
648 mm25.5 inches
Fretboard radius
16″
Body
One-piece ash, chambered
Top
Quilted maple
Neck and fretboard
Baltic curly maple
Nut
Tusq
Tuners
Schaller M6, gold
Bridge
Schaller tremolo, gold
Pickups
De GattisSpecial series, with rosewood covers
Pot
DiMarzio 500 kΩ, push-pull volume
Selector
DiMarzio
Frets
Stainless steel jumbo
Fret markers
Abalone
Side dots
Green Luminlay
Truss rod
Dual action, with two carbon fibre rodsThe rods can be left out on request
Body and neck finish
Gloss polyurethane
Fretboard finish
Natural
Neck width, twenty-two frets
43 mm at the nut · 56.5 mm at the last fret1.69 · 2.22 inches
Neck width, twenty-four frets
43 mm at the nut · 57.2 mm at the last fret1.69 · 2.25 inches
Case
ABS hard caseIncluded
Certificate of authenticity
Numbered, dated and signed by handIncluded

You choose

Every line here is a conversation, not a drop-down.

Number of strings
Six or seven strings
Number of frets
22 · 24
Neck joint
Bolt-on · Set neck
Pickup brand
De Gattis · other brands on requestDe Gattis are standard because we make them ourselves; another brand gets fitted for anyone arriving with something specific in mind
Headstock
6 in line · 6 in line, reverse · 4 + 2 · 4 + 2, reverse · 3 + 3 · SlottedThe 3 + 3 is angled

The switch

What it sounds like, in every position.

As standard

  • Neck

  • Neck + middle

  • Middle

  • Middle + bridge

  • Bridge

With the tone control up

Pull the tone pot and the humbucker stays on one coil in every position: the bridge brightens and moves close to a single-coil, without touching anything else.

  • Neck

  • Neck + middle

  • Middle

  • Middle + bridge

  • Bridge

And now

Carry on building it.

The green lines above are yours to decide. In the Custom Shop you pick them one by one, and at the end it is the luthier who writes back, not a form.

Open the Custom Shop